![]() Some pick up 360 degrees ( omnidirectional), mostly in front ( cardioid), or in front and behind but not so much the sides ( bi–directional or figure 8). Large diaphragm condensers, on the other hand, are preferred for their richer low–end response.Īll microphones have a polar pattern, which is the area around the mic that it picks up. Small diaphragm mics are more accurate and capable of capturing higher frequencies beyond human hearing. There are two types of condenser microphones: large and small diaphragm. With a close condenser mic, you’ll hear everything from a player sighing loudly to a piece of jewelry or clothing rattling against the instrument.Ĭellists with buttons on their sleeves or violinists wearing long earrings or jewelry are common culprits of unwanted noises. Detail and subtlety may sound great or might be a problem, depending on the situation. It will also pick up overtones, resonances, subtleties in timbre, and the sound of the physical instrument itself. These have the best frequency and transient response of any type of microphone, meaning that it can clearly pick up the entire range of high and low frequencies of the instrument when placed well. Large diaphragm microphone ( Rode NT-1) on a viola Those are the basics, but there are plenty of factors you can consider to get the best recordings possible, whether you’re recording at home or in a studio setting.
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